Yes, I’m asking that you take a second look at Sex and the City 2 during its first week of release. Why? Because most of the reviews out there say that it’s a terrible movie about overconsumption. Well, yes. It is ubermaterialistic and filled with many stereotypical orientalist fantasy elements. But SATC2 is a satire about how “liberated” we think our culture is.
The original television series advanced woman’s liberation. It celebrated the supposed sexual freedom of the modern woman, embodied by four different avatars: Carrie the neurotic girl, Charlotte the good girl, Samantha the bad girl, and Miranda the career girl. The show definitely did break down boundaries and made it okay for women from different generations to talk about sex. The avatars slowly changed into characters, into women making complicated and difficult decisions.
The first movie chronicled the rites turning Carrie from a single girl to a married woman. She finally achieved her supposed “happy ending.” The second movie attempts to answer the question – did Carrie really enjoy her happy ending? Of course not – at heart she’s still the avatar of the neurotic girl. Dramatically tackling those issues would be a downer of a film, not what the target audience wants or expects from the franchise. So the filmmakers chose another time-honored tradition to explore these issues: the satire.
Everything in this movie – the fashions, the settings, the choices, the desires – has been exaggerated. The characters have been flattened back into stereotypes, into girls. It definitely fetishizes the superficial; but the assumptions underlying these appearances are overtly and covertly challenged throughout.
SPOILER WARNING – I give away plot points below, but really this movie is anything but plot-driven. If you can’t figure out what happens when Samantha cavorts in a sexually repressed society, well, just think about it a little bit longer.
